Art of the MOOC: Experiments with Sound

Start Date: 08/18/2019

Course Type: Common Course

Course Link: https://www.coursera.org/learn/experiments-with-sound

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Course Syllabus

This module introduces the four co-teachers of the course (Lasch, Clayton, Hinke, Hopkins), along with five analytical concepts that we will use throughout its sections and projects: Frequency, Perspective, Material Frame, Time Frame, and Concurrency. These concepts are designed to encompass a wide range of acoustic phenomena within spatial and social experience.

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Course Introduction

Students of this course may try their hand at their own sound interventions and musical compositions

Course Tag

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Article Example
Sound art In Western art, early examples include Luigi Russolo's "Intonarumori" or noise intoners, and subsequent experiments by Dadaists, Surrealists, the Situationist International, and in Fluxus happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domain of either the visual art or experimental music categories, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, and experimental theatre.
The Art of Sound (exhibition) The Art of Sound is an exhibition which was developed in 2013 by the National Film and Sound Archive (NFSA) in collaboration with art galleries in Australia to explore the use of sound in the visual arts.
Sound art Sound art is an artistic discipline in which sound is utilised as a primary medium. Like many genres of contemporary art, sound art is interdisciplinary in nature, or takes on hybrid forms. Sound art can engage with a range of subjects such as acoustics, psychoacoustics, electronics, noise music, audio media, found or environmental sound, explorations of the human body, sculpture, film or video and an ever-expanding set of subjects that are part of the current discourse of contemporary art.
The Art of Sound (exhibition) The curators at the NSFA compiled a sound palette, which comprises a wide variety of Australian audio recordings from the NFSA's sound collection. There are music, speeches, and sounds from the environment. The curators at partner art galleries search the sound palette to find audio material that would complement their individual artworks and combine them for unique audience experiences at each gallery.
Radio art Besides, podcasting can be considered as a new way of broadcasting, thus a new way of bringing radio art to listeners. Of the on-demand kind, SilenceRadio.org is a website which publish sound pieces which explore the different genres of radio art or intend to question the manners of making radio art today. The Ràdio Web MACBA Curatorial series also experiments with the radio art format.
Balloon Experiments with Amateur Radio Balloon Experiments with Amateur Radio or BEAR is a series of Canadian-based amateur radio high-altitude balloon experiments by a group of amateur radio operators and experimenters from Sherwood Park and Edmonton, Alberta. The experiments started in the year 2000 and continued with BEAR-9 in 2012 reaching .
Web-based experiments Researchers at University of Salford are currently conducting a number of studies online to explore sound perception. Sound experiments over the web are particularly difficult due to lack of control over sound reproduction equipment.
The Art of Sound (exhibition) As a national institution, the NSFA uses exhibitions, film festivals and touring projects to provide access to its collection of audiovisual materials to the people in regional Australia. The Art of Sound was supported by the National Collecting Institutions Touring and Outreach Program (an Australian Government program which supports projects that make collections available to all Australians).
The Story of My Experiments with Truth Gandhi writes in his "Farewell" to the readers, a suitable conclusion for an autobiography that he never intended to be an autobiography, but a tale of experiments with life, and with truth.
Mail art The American artist Ray Johnson is considered to be the first mail artist. Johnson's experiments with art in the mail began in 1943, while the posting of instructions and soliciting of activity from his recipients began in the mid-1950s with the mailing of his "moticos", and thus provided mail art with a blueprint for the free exchange of art via post.
Sound art The earliest documented use of the term in the U.S. is from a catalogue for a show called "Sound/Art" at The Sculpture Center in New York City, created by William Hellerman in 1983. The show was sponsored by "The SoundArt Foundation," which Hellerman founded in 1982. The artists featured in the show were as follows: Vito Acconci, Connie Beckley, Bill and Mary Buchen, Nicolas Collins, Sari Dienes and Pauline Oliveros, Richard Dunlap, Terry Fox, William Hellermann, Jim Hobart, Richard Lerman, Les Levine, Joe Lewis, Tom Marioni, Jim Pomeroy, Alan Scarritt, Carolee Schneeman, Bonnie Sherk, Keith Sonnier, Norman Tuck, Hannah Wilke, Yom Gagatzi. The following is an excerpt from the catalogue essay by art historian Don Goddard: "It may be that sound art adheres to curator Hellermann's perception that "hearing is another form of seeing,' that sound has meaning only when its connection with an image is understood... The conjunction of sound and image insists on the engagement of the viewer, forcing participation in real space and concrete, responsive thought rather than illusionary space and thought."
The Design of Experiments The Design of Experiments is a 1935 book by the English statistician Ronald Fisher about design of experiments and is considered a foundational work in experimental design. Among other contributions, the book introduced the concept of the null hypothesis in the context of the lady tasting tea experiment. A chapter is devoted to the Latin square.
Sound installation Sound installation (related to sound art and sound sculpture) is an intermedia and time based art form. It is an expansion of an art installation in the sense that it includes the sound element and therefore the time element. The main difference with a sound sculpture is that a sound installation has a three-dimensional space and the axes with which the different sound objects are being organized are not exclusively internal to the work, but also external. A work of art is an installation only if it makes a dialog with the surrounding space. A sound installation is usually a site-specific but sometimes it can be readapted to other spaces. It can be made either in close or open spaces, and context is fundamental to determine how a sound installation will be aesthetically perceived.
Accelerator (The Future Sound of London album) "Accelerator" marked the first time that Future Sound of London worked with frequent collaborator, artist, Buggy G. Riphead, who created the album's cover art.
List of sound artists This is a list of sound artists. Sound art is a diverse group of art practices that considers wide notions of sound, listening and hearing as its predominant focus. There is contention as to which artists are “sound artists” or if another category might be more accurate such as experimental music, electronic music, sound installation, circuit bending, sound sculpture, builder of experimental musical instruments, noise music, acoustic ecology, sound poetry, installation art, performance art or Fluxus.
The Afterlife Experiments The Afterlife Experiments (full title: The Afterlife Experiments: Breakthrough Scientific Evidence of Life After Death) is a book written by Gary Schwartz and William L. Simon, with a foreword by Deepak Chopra. The book contains four reports detailing a series of experiments that utilized mediums and sitters to investigate whether or not there is life after death.
The Sound of Perseverance Some of the song names and music on "The Sound of Perseverance" were originally going to appear on the first Control Denied album, "The Fragile Art of Existence". Schuldiner himself denied this in an interview with Metal Maniacs in 1998 by saying that none of his compositions for Control Denied had been used to fill space for a Death album. Schuldiner implied that some Control Denied songs were used for The Sound of Perseverance in an interview with Scream Magazine in October 1999, when he stated that "The Fragile Art of Existence" "contains a lot of music I didn't have in mind originally. Most of the material was completed in 1996-97." Also, Tim Aymar, in December 2010, confirmed that a few of the Control Denied songs had been, in his words, "'Deathized' and recorded on TSOP." When Death was signed on to Nuclear Blast, Schuldiner agreed to make one last Death album before moving forward with Control Denied.
List of sound art organizations and festivals This is a list of sound art organizations and festivals.
Design of experiments The design of experiments (DOE, DOX, or experimental design) is the design of any task that aims to describe or explain the variation of information under conditions that are hypothesized to reflect the variation. The term is generally associated with true experiments in which the design introduces conditions that directly affect the variation, but may also refer to the design of quasi-experiments, in which natural conditions that influence the variation are selected for observation.
History of sound recording Experiments in capturing sound on a recording medium for preservation and reproduction began in earnest during the Industrial Revolution of the 1800s. Many pioneering attempts to record and reproduce sound were made during the latter half of the 19th century – notably Scott's Phonautograph of 1857 – and these efforts culminated in the invention of the phonograph, patented by Thomas Edison in 1877.