Exploring Beethoven's Piano Sonatas Part 5

Start Date: 05/31/2020

Course Type: Common Course

Course Link: https://www.coursera.org/learn/exploring-beethoven-piano-sonatas-5

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About Course

Welcome to Exploring Beethoven's Piano Sonatas Part 5! You’re joining thousands of learners currently enrolled in the course. I'm excited to have you in the class and look forward to your contributions to the learning community. To begin, I recommend taking a few minutes to explore the course site. Review the material we’ll cover each week, and preview the assignments you’ll need to complete to pass the course. Click Discussions to see forums where you can discuss the course material with fellow students taking the class. If you have questions about course content, please post them in the forums to get help from others in the course community. For technical problems with the Coursera platform, visit the Learner Help Center. Good luck as you get started, and I hope you enjoy the course!

Course Syllabus

Welcome to Class
Op. 27, No. 1
Op. 31, No. 1
Op. 106: Hammerklavier (Part 1)
Op. 106: Hammerklavier (Part 2)
Your Thoughts Welcome

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Course Introduction

Exploring Beethoven's Piano Sonatas Part 5 Do you want to know how Beethoven wrote his most famous piano sonatas? This course offers an in-depth, five-week study of Beethoven's most famous sonatas , part 1. If you have a general understanding of music theory, this is the course for you. If you are a musicologist, this is your last course before starting your career in that field. If you are a musician, this is your last course before starting the music that you want to play. If you are a pianist, this is your last course before starting the music that you want to learn. The course consists of five parts. Part 1 is a general overview of Beethoven’s classical music theory, while Part 2 focuses on Beethoven’s musical repertoire. Part 3 explores Beethoven’s music production skills and techniques, while Part 4 focuses on Beethoven’s musical style. The course is designed to continuously build your knowledge of Beethoven’s music theory, while Part 5 provides an overview of Beethoven’s repertoire.Beethoven’s Concertos and Concertos in Transit Part 1 Beethoven’s Concertos and Concertos in Transit Part 2 Music Production Techniques for the Musician Music Production Techniques for the Musician Part 1 Exploring Beethoven’s

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Article Example
Late piano sonatas (Beethoven) Some compilations may include Piano Sonata No. 27 in E minor, Op. 90 as one of Beethoven's late piano sonatas.
Piano sonatas (Beethoven) Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to concert hall performance. Being suitable for both private and public performance, Beethoven's sonatas form "a bridge between the worlds of the salon and the concert hall".
Cello Sonatas Nos. 1 and 2 (Beethoven) In the early 19th century, sonatas for piano and instrument were usually advertised as piano sonatas with instrumental accompaniment. Beethoven's first violin sonatas, for instance, were published as "sonatas for piano with accompaniment by the violin." The cello sonata was especially so plagued, as it grew out of sonatas for continuo; as late as the beginning of the 19th century it was still common for the cello in cello sonatas to double the left hand of the piano part, with the piano right hand playing "obbligato" figurations and melodies. Beethoven, indeed, is credited with composing one of the first cello sonatas with a written-out piano part.
Late piano sonatas (Beethoven) The late piano sonatas of Ludwig van Beethoven usually refer to the last five piano sonatas the composer composed during his late period.
Piano sonatas (Beethoven) Beethoven's early sonatas were highly influenced by those of Haydn and Mozart. Even so, he began to find new ways of composing his sonatas. His first four sonatas were four movements long, which was very uncommon in his time, and his Pathétique sonata was the first to have two tempos in a movement.
Piano sonatas (Beethoven) Opus 49: Two Piano Sonatas (composed 1795–6, published 1805)
Haydn Piano Sonatas (album) Haydn Piano Sonatas is the fourteenth album by pianist and composer Fazıl Say (1970) from Turkey. Recorded in July 2006 in Théâtre des Quatre Saisons – Gradignan (France), and was released by Naïve Classique on February 20, 2007. "Haydn Piano Sonatas" features five piano sonatas by composer Joseph Haydn (1732).
Late Piano Sonatas The Late Piano Sonatas usually refer to the last set of piano sonatas a composer has composed during his late years or while nearing death. They may refer to:
Piano Sonata No. 32 (Beethoven) The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven's piano sonatas. Along with Beethoven's "33 Variations on a waltz by Anton Diabelli", Op. 120 (1823) and his two collections of bagatelles—Opus 119 (1822) and Opus 126 (1824)—this was one of Beethoven's last compositions for piano. The work was written between 1821 and 1822. Like other "late period" sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf.
Piano Sonata No. 21 (Beethoven) Beethoven's Piano Sonata No. 21 in C major, Op. 53, known as the , is one of the three most notable sonatas of his middle period (the other two being the "Appassionata", Op. 57, and "Les Adieux", Op. 81a). Completed in summer 1804 and surpassing Beethoven's previous piano sonatas in its scope, the "" is a key early work of Beethoven's "Heroic" decade (1803–1812) and set a standard for piano composition in the grand manner.
Beethoven Sonatas for Piano (album) Beethoven Sonatas for Piano is the thirteenth album by pianist and composer Fazıl Say (1970) from Turkey. This album was recorded in June 2005 in Studio Tibor Varga (Sion, Switzerland) and released by Naïve Classique on October 11, 2005. "Beethoven Sonatas for Piano" features three piano sonatas by composer Ludwig van Beethoven (1770).
Jonathan Biss In 2010, Biss was appointed to the piano faculty as Neubauer Family Chair at his alma mater the Curtis Institute of Music. As part of his teaching career, Jonathan Biss became the first classical musician to partner with Coursera. Together they created "Exploring Beethoven’s Piano Sonatas," a free video course on several of Beethoven's most famous sonatas. The course has reached more than 100,000 students in more than 160 countries. He will continue to add lectures until he covers all the sonatas.
Piano Sonata No. 11 (Beethoven) Prominent musicologist Donald Francis Tovey has called this work the crowning achievement and culmination of Beethoven's early "grand" piano sonatas. Subsequent sonatas find Beethoven experimenting more with form and concept.
Piano Sonata No. 24 (Beethoven) Maynard Solomon notes that this and the "Appassionata" sonata, op.57, were Beethoven's favorite of his piano sonatas prior to the "Hammerklavier".
Cello Sonatas Nos. 4 and 5 (Beethoven) The Sonatas for cello and piano No. 4 in C major, Op. 102, No. 1, and No. 5 in D major, Op. 102, No. 2, by Ludwig van Beethoven were composed simultaneously in 1815 and published in 1817 with a dedication to the Countess , a close friend and confidante of Beethoven's.
Piano sonatas (Beethoven) After he wrote his first 13 sonatas (up to Op. 28), he wrote to Wenzel Krumpholz, "From now on, I'm going to take a new path." Beethoven's sonatas from this period are very different from his earlier ones. His experimentation in modifications to the common sonata form of Haydn and Mozart became more daring, as did the depth of expression. Most Romantic period sonatas were highly influenced by those of Beethoven. After 1804, Beethoven ceased publishing sonatas in sets and only composed them as a single opus. It is unclear why he did so.
Piano Sonatas Nos. 13 and 14 (Beethoven) Ludwig van Beethoven's opus number 27 is a set of two piano sonatas both entitled "Sonata quasi una Fantasia" roughly translated as sonatas in the style of a fantasia. The second sonata is one of the most famous piano works in the repertoire and has taken on the name "Moonlight", a contentious name not given by the composer himself. The first sonata remains far less performed than the second and the two sonatas are not commonly performed together. They were composed at the same time as one collection however they were published separately.
Murray Perahia Perahia has recorded Chopin's études, and Schubert's late piano sonatas. He is currently editing a new Urtext edition of Beethoven's piano sonatas.
Piano Sonatas (Ustvolskaya) The six piano sonatas by Galina Ustvolskaya were composed over the course of 43 years - each showing a gradual progression of the composer's style.
Piano Sonata No. 22 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 22 in F major, Op. 54, was written in 1804. It is contemporary to the first sketches of the Symphony No. 5 in C Minor. It is one of Beethoven's lesser known sonatas, overshadowed by its widely known neighbours, the "Waldstein" and the "Appassionata".