In the Studio: Postwar Abstract Painting

Start Date: 02/23/2020

Course Type: Common Course

Course Link: https://www.coursera.org/learn/painting

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About Course

Want to know how some of the 20th century’s most celebrated artists made abstract paintings? This course offers an in-depth, hands-on look at the materials, techniques, and thinking of seven New York School artists, including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Through studio demonstrations and gallery walkthroughs, you’ll form a deeper understanding of what a studio practice means and how ideas develop from close looking, and you’ll gain a sensitivity to the physical qualities of paint. Readings and other resources will round out your understanding, providing broader cultural, intellectual, and historical context about the decades after World War II, when these artists were active. The works of art you will explore in this course may also serve as points of departure to make your own abstract paintings. You may choose to participate in the studio exercises, for which you are invited to post images of your own paintings to the discussion boards, or you may choose to complete the course through its quizzes and written assessments only. Learners who wish to participate in the optional studio exercises may need to purchase art supplies. A list of suggested materials is included in the first module. Learning Objectives: Learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. Trace the development of each artist’s work and studio practice in relation to broader cultural, intellectual, and historical contexts in the decades after World War II. Hone your visual analysis skills. Use each artist’s works as a point of departure for making your own abstract paintings.

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Course Introduction

In the Studio: Postwar Abstract Painting This course is an introduction to postwar abstract painting and its discontents. The course focuses on important precursors to the all-important post-war styles of abstraction, including: abstract painting, minimalism, protest, and surrealism. We will explore what this early art movement meant for art today; we will examine the reasons for its radical consequences; and we will attempt to understand the contemporary connotations of these terms. We learn about key artists, studios, and subjects through the lens of the art movements of the late 1920s and early 1930s. We learn about the general trajectory of abstract painting from the very beginning and on through a number of specific artists. We also explore the types of abstracts and their mediums, including some of the most famous of them all, including painting, drawing, sculpture, music, film, and literature. We will learn about the crucial role of music in the development of abstract art, and of the paradoxes and contradictions of abstract art in the contemporary world. The course is also intended as a primer for those wanting to pursue a career in the field of abstract painting, as well as for those wanting to learn more about abstract painting and how it developed. A large number of artists were active in this area, and the course will give you an insight into what artists were thinking and doing. The course is also intended as a primer for those wanting to pursue a degree in abstract painting, as well as for

Course Tag

Art History Art History Color Theory

Related Wiki Topic

Article Example
Abstract painting (Pasmore) Abstract painting is an abstract oil painting, by Victor Pasmore, from 1998.
Painting Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and "abstract expressionism" interchangeably).
Painting Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture (as in gestural painting), composition, narration (as in narrative art), or abstraction (as in abstract art), among other aesthetic modes, may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, narrative, symbolistic (as in Symbolist art), emotive (as in Expressionism), or political in nature (as in Artivism).
The Actor (painting) The painting portrays an acrobat in a dramatic pose with an abstract design in the background. The canvas measures by .
Painting Among the continuing and current directions in painting at the beginning of the 21st century are Monochrome painting, Hard-edge painting, Geometric abstraction, Appropriation, Hyperrealism, Photorealism, Expressionism, Minimalism, Lyrical Abstraction, Pop Art, Op Art, Abstract Expressionism, Color Field painting, Neo-expressionism, Collage, Intermedia painting, Assemblage painting, Computer art painting, Postmodern painting, Neo-Dada painting, Shaped canvas painting, environmental mural painting, traditional figure painting, Landscape painting, Portrait painting, and paint-on-glass animation.
Abstract painting (Pasmore) It is a large abstract painting, characteristic of his style. It was the artist's last work, and was donated to the National Museum of Fine Arts, Malta, by the artist's family.
Western painting Color Field painting clearly pointed toward a new direction in American painting, away from abstract expressionism. Color Field painting is related to Post-painterly abstraction, Suprematism, Abstract Expressionism, Hard-edge painting and Lyrical Abstraction.
The Artist in his Studio The Artist in his Studio is an 1628 oil painting made by Rembrandt. The painting shows an artist' studio in realist style. It is held by the Museum of Fine Arts in Boston, Massachusetts.
Western painting In the late 1960s the abstract expressionist painter Philip Guston helped to lead a transition from abstract expressionism to Neo-expressionism in painting, abandoning the so-called "pure abstraction" of abstract expressionism in favor of more cartoonish renderings of various personal symbols and objects. These works were inspirational to a new generation of painters interested in a revival of expressive imagery. His painting "Painting, Smoking, Eating" 1973, seen above in the gallery is an example of Guston's final and conclusive return to representation.
Western painting Eventually abstract painting in America evolved into movements such as Neo-Dada, Color Field painting, Post painterly abstraction, Op art, hard-edge painting, Minimal art, shaped canvas painting, Lyrical Abstraction, Neo-expressionism and the continuation of Abstract expressionism. As a response to the tendency toward abstraction imagery emerged through various new movements, notably Pop art.
Abstract expressionism Action painting was a style widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms action painting and abstract expressionism interchangeably). A comparison is often drawn between the American action painting and the French tachisme.
Abstract expressionism In abstract painting during the 1950s and 1960s, several new directions, like the Hard-edge painting exemplified by John McLaughlin, emerged. Meanwhile, as a reaction against the subjectivism of Abstract expressionism, other forms of Geometric abstraction began to appear in artist studios and in radical avant-garde circles. Clement Greenberg became the voice of "Post-painterly abstraction;" by curating an influential exhibition of new painting that toured important art museums throughout the United States in 1964. Color field painting, Hard-edge painting and Lyrical Abstraction emerged as radical new directions.
20th-century Western painting In the late 1960s the abstract expressionist painter Philip Guston helped to lead a transition from abstract expressionism to Neo-expressionism in painting, abandoning the so-called "pure abstraction" of abstract expressionism in favor of more cartoonish renderings of various personal symbols and objects. These works were inspirational to a new generation of painters interested in a revival of expressive imagery. His painting "Painting, Smoking, Eating" 1973, seen above in the gallery is an example of Guston's final and conclusive return to representation.
History of painting In the late 1960s the abstract expressionist painter Philip Guston helped to lead a transition from abstract expressionism to Neo-expressionism in painting, abandoning the so-called "pure abstraction" of abstract expressionism in favor of more cartoonish renderings of various personal symbols and objects. These works were inspirational to a new generation of painters interested in a revival of expressive imagery. His painting "Painting, Smoking, Eating" 1973, seen above in the gallery is an example of Guston's final and conclusive return to representation.
20th-century Western painting Color Field painting clearly pointed toward a new direction in American painting, away from abstract expressionism. Color Field painting is related to Post-painterly abstraction, Suprematism, Abstract Expressionism, Hard-edge painting and Lyrical Abstraction.
History of painting Color Field painting clearly pointed toward a new direction in American painting, away from abstract expressionism. Color Field painting is related to post-painterly abstraction, suprematism, abstract expressionism, hard-edge painting and Lyrical Abstraction.
Painting Abstract painting uses a visual language of form, color and line to create a composition that may exist with a degree of independence from visual references in the world. Abstract expressionism was an American post-World War II art movement that combined the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools—such as Futurism, the Bauhaus and Synthetic Cubism and the image of being rebellious, anarchic, highly idiosyncratic and, some feel, nihilistic.
Western painting Still other important innovations in abstract painting took place during the 1960s and the 1970s characterized by Monochrome painting and Hard-edge painting inspired by Ad Reinhardt, Barnett Newman, Milton Resnick, and Ellsworth Kelly. Artists as diversified as Al Held, Larry Zox, Frank Stella, Larry Poons, Brice Marden and others explored the power of simplification. The convergence of Color Field painting, Minimal art, Hard-edge painting, Lyrical Abstraction, and Postminimalism blurredthe distinction between movements that became more apparent in the 1980s and 1990s. The Neo-expressionism movement is related to earlier developments in Abstract expressionism, Neo-Dada, Lyrical Abstraction and Postminimal painting.
Lyrical motifs in postwar Leningrad painting (Saint Petersburg, 1995) Retrospective Exhibition "Lyrical motifs in postwar Leningrad painting" () became one of the most notable event in the Saint Petersburg exhibition live of 1995. The Exhibition took place in Nikolai Nekrasov Memorial Museum and was dedicated to 50th Anniversary of the Victory in Great Patriotic war of 1941-1945. There were exhibited 146 art works from private collections of more than 50 importrant masters of the Leningrad School of Painting.
20th-century Western painting Eventually abstract painting in America evolved into movements such as Neo-Dada, Color Field painting, Post painterly abstraction, Op art, hard-edge painting, Minimal art, shaped canvas painting, Lyrical Abstraction, Neo-expressionism and the continuation of Abstract expressionism. As a response to the tendency toward abstraction imagery emerged through various new movements, notably Pop art.