Music Production Specialization

Start Date: 02/23/2020

Course Type: Specialization Course

Course Link:

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About Course

This Specialization will give you the knowledge and tools you need to record and produce professional sounding music. You will begin by developing your identity, vision, and intention as an artist and producer. Next, you will learn the technical aspects of music production, including how sound is translated into audio signals, recording techniques, and effects such as reverb, delay, and compression. You will also learn how to use the industry standard Digital Audio Workstation, Pro Tools, to create professional recordings. Finally, you will apply the knowledge and tools you gained in a culminating 4-week Capstone where you will complete a project beginning at the pre-production stage through the recording, mixing, and mastering stages.

Course Syllabus

The Art of Music Production
The Technology of Music Production
Pro Tools Basics
Music Production Capstone

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Course Introduction

Develop Your Creativity as a Music Producer . Learn the art and technology of music production to create professional music compositions. Music Production Specialization In this specialization, you will take the technical skills required to produce music in the studio. You will create a mix down to the lowest common denominator, then learn the tools to record and mix it all at home. We’ll cover everything from mastering a recording to the most common steps involved in getting from A to B. This is the last course in the Music Production Specialization. You will need to have mastered the other courses in the series: - How to master a mastering studio (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 1), - How to record a mix and engineer it (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 2), - How to record a mix and engineer it (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 1), - How to engineer a mix (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 1), - How to engineer a mix (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 2), - How to engineer a mix (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 1), - How to record a mix and engineer it (Intro to Mastering Studio) (Mastering Studio Fundamentals, Part 1), - How to record a mix and engineer it (

Course Tag

Audio Recording Music Music production Sound Design Audio Editing

Related Wiki Topic

Article Example
Production music The production music market is dominated by libraries affiliated with the large record and publishing companies: KPM is owned by EMI; Universal Music Publishing Group library music has the music libraries Chappell, Bruton and Atmosphere under their own name as well as others owned by them such as FirstCom and Killer Tracks; Imagem Production Music (formerly Boosey & Hawkes Production Music and including the Cavendish, Abaco and Strip Sounds labels) is owned by the Imagem Music Group; Extreme Music is owned by Sony/ATV Music Publishing; and Warner/Chappell (a division of Warner Music Group) owns Warner/Chappell Production Music. Established in 1965 Sonoton is the largest independent production music library in the world. There are numerous independent libraries that include Vanacore Music and West One Music Group.
Production music Production music (also known as stock music or library music) is the name given to recorded music that can be licensed to customers for use in film, television, radio and other media. Oftentimes, the music is produced and owned by production music libraries.
Production music The business model of production music libraries is based on two income streams:
Production music Production music libraries typically offer a broad range of musical styles and genres, enabling producers and editors to find what they need in the same library. Music libraries vary in size from a few hundred tracks up to many thousands. The first production music library was set up by De Wolfe Music in 1927 with the advent of sound in film. The company originally scored music for use in silent film.
Production music This method of licensing combines the creation of original, custom music with a catalog of traditional "library" music under one license agreement. The goal is to suit the needs of a budget conscious production but still provide that production with a unique and original show theme or audio brand. In this scenario, show producer identifies those scenes she/he feels are most important to the success of the show, and those scenes are scored to picture by the composer. Those less important scenes will utilize the library also provided by the same publisher/composer. Upon completion, the custom music and the library tracks are licensed together under one production blanket, the ownership of the custom music remains with the publisher who produced it, and the publisher can (after a term of exclusivity negotiated between the parties) re-license the custom music as part of its library to recoup production costs.
Production music American TV has also utilized production music, most notably with the themes for "Monday Night Football" ("Heavy Action" by Johnny Pearson) and "The People's Court" ("The Big One" by Alan Tew). Other notable examples are the Nickelodeon animated series "The Ren and Stimpy Show" and "SpongeBob SquarePants", which use well-known classical music excerpts and a wide range of pre-1960s production music cues—including many pieces familiar from their use in earlier cartoons—which were chosen for their ironic and humorous effect.
Capellen Music Production Founder and President of Capellen Music Production is Czech conductor, orchestrator and music producer, Petr Pololanik.
Capellen Music Production Capellen Music Production (CMP) is a music production company. It specializes in film and pop symphony recordings, live concerts and other symphony related services (i.e. music preparation, orchestration, symphonic arrangements, etc.).
Production music Unlike popular and classical music publishers, who typically own less than 50 percent of the copyright in a composition, production music libraries own all of the copyrights of their music. Thus, it can be licensed without the composer's permission, as is necessary in licensing music from normal publishers. This is because virtually all music created for music libraries is done on a work for hire basis. Production music is a convenient solution for media producers—they can be assured that they will be able to license any piece of music in the library at a reasonable rate, whereas a specially-commissioned work could be prohibitively expensive. Similarly, licensing a well-known piece of popular music could cost anywhere from tens to hundreds of thousands of dollars, depending on the prominence of the performer(s).
Interactive specialization According to the second, the Interactive Specialization (IS)
FMP/Free Music Production Free Music Production (FMP) is a German record company and label specializing in free jazz.
Specialization (functional) Specialization is when people specialize in one thing or another which they are good at.
Specialization (functional) Adam Smith described economic specialization in his classic work, "The Wealth of Nations".
Production music This allows the music composer/producer to quote lower rates because they are retaining ownership of the custom music, and will have the ability to make money with the same recording in a different production later on. It also allows the program or film producer to deliver content of very high quality, ensures that the most important scenes have the perfect music, and those less important scenes are addressed with an affordable solution.
Master of Music Some programs additionally require a sub-specialization in a cognate area within music, such as music history or performance practice, which contributes to their area of specialization. For example, a student doing an M.Mus. in Baroque violin might do a sub-specialization in Baroque music history. Some institutions permit M.Mus. students to do a sub-specialization in a field outside music that contributes to their professional and academic goals. For example, a student completing a M.Mus. in piano pedagogy may be able to do a sub-specialization in the psychology of learning in the university's department of psychology.
Cognitive specialization First studied as an adaptive mechanism specific to humans, cognitive specialization has since evolved to encompass many behaviors in the social realm. Organisms have evolved over millions of years to become well-adapted to their habitats; this requires becoming specialized in behaviors that improve an organism’s likelihood of survival and reproduction. Not to be confused with functional specialization, which examines the specific parts of the brain that are engaged during specific behaviors or processes, cognitive specialization is focused on characteristics of the mind (an internal entity), which in turn affects external behaviors. Most of these specializations are thought to have developed in areas of the neocortex unique to humans. The most significant cognitive specializations among humans include theory of mind and language acquisition and production, while non-human animals may specialize in foraging behavior, self-awareness, or other adaptive abilities.
Production music Production music composers and session performers typically work anonymously and have rarely become known outside their professional circle. In recent years some veteran composer-performers in this field such as Alan Hawkshaw, John Cameron and Keith Mansfield have achieved cult status as a result of a new interest in production music of the 1960s and 1970s, notably the 'beat' and electronica cues recorded for KPM and other labels, which have been widely sampled by DJs and record producers. In recent years some of these British musicians have given public performances of their classic compositions under the group name KPM Allstars.
Academic specialization As the volume of knowledge accumulated by humanity became too great, increasing specialization in academia appeared in response.
Production music With the proliferation of music libraries in recent years and the increase in competition, some smaller libraries have evolved the "royalty-free music" model. These libraries do not charge their customers for licensing the music. Instead, the customers purchase a CD or access to an electronic collection of music - priced typically between 50 and 300 dollars - whose content is licensed in perpetuity for them to synchronize as often they wish. These libraries depend mainly on performance royalties for their income (with a small amount of income from sales of physical CDs or online track downloads). Assuming that the music is broadcast, royalties are paid on the music, though it is the broadcaster who pays them via annual fees to the performing rights societies, not the producer who uses the music in their production.
Production music Production music is frequently used as theme and/or background music in radio, film and television. Well-known examples of British TV series whose themes were sourced from library catalogues include "Ski Sunday" ("Pop Looks Bach" by Sam Fonteyn), "Dave Allen At Large" ("Studio 69" by Alan Hawkshaw), "Mastermind" ("Approaching Menace" by Neil Richardson), the original theme for the BBC's "Grandstand" ("News Scoop" by Len Stevens), "Crimewatch" ("Rescue Helicopter" by John Cameron) and "Grange Hill" ("Chicken Man" by Alan Hawkshaw). Arthur Wood's "Barwick Green", written in 1924, still serves as the theme for long-running BBC Radio soap "The Archers". TV comedy series such as "The Benny Hill Show" and "Monty Python's Flying Circus" also made extensive use of production library cues (many sourced from the De Wolfe catalogue) as background or incidental music.